We’re seeing a broad similarity between the two cases (CB ON or OFF) with ABW active. It only moves several inches, so don’t force it. I printed the target in both the SC-P5000 and SC-P900 printers on Epson Legacy Platine using my custom profiles for each printer, and RELCOL with BPC. This example does an excellent job of reproducing the deep blue sky of a cold November day at A2 size. There are a lot of websites featuring photography. Profile characteristics are similar between the OEM and Mark profiles (Figures 24, 25). To contact Epson America, you may write to 3131 Katella Ave, Los Alamitos, CA 90720 or … The printers offer a standard Epson Preferred Limited Warranty, a one-year program that includes toll-free advanced telephone access Monday through Friday and usually next business-day on-site service in the unlikely event of any hardware failure. The linearity is OK, but the values have shifted from being brighter in the dark tones (Figure 42) to darker in the mid and highlight tones, relative to the reference values and there is more hue bias than I expected from ABW (Figure 46). There is a “thick paper” option via the LCD Menu > General Settings > Printer Settings > Thick Paper **, useful if one gets tiny head strikes due to swelling of the media coating. Not sure if other experienced something similar. Each produces a different gamut volume (Figure 31) and Black Point, where one sees that the profile with CB ON has a slightly wider gamut than that with it OFF, particularly so for the dark tones (right side of Figure 31). What we see here is of course mirrored in the data, whereby the SC-P900 gamut volume for Legacy Platine is in the range of 817,000-837,000, while that for the SC-P5000 is about 993,000. For the Custom profiling, Condition D in Figure 32, highlighted in faint green, is the best, insofar as it’s Black Point is the deepest, it’s gamut volume the highest and it’s dE values similar to Conditions A and C, but with lower variance around the average, which is preferable, because lower variance means fewer colors with high dE values. As usual, it works easily and reliably once you know-how. I’ve done this twice already; it’s painless. I did the whole set-up using the USB connection. This first example is a panoramic shot created from multiple photos taken with my Canon 5Ds. Both the 4th and 5th positions give us 5760 DPI quality, but the micro-weave differs a bit between them – I am told not to an extent most human eyes would see in the size range of prints we would generally make with this printer. I have my eye on the P900 because I want the same 17-inch printing capability that I have with the P800. We’ll get to that. I include several comparisons from SC-P800 data. Printers get really confused by this and are likely to use up much more ink in recovering (yes, I have done this accidentally during setting up another printer). I’ve more about this in the P900 setup article and my P900 setup video). I show one representation of this test page (Figure 56), because although I printed one with and one without CB, none of the images on this sheet reveal any difference between the two printing conditions. The big 800-900 changes are the loss of black switch and general usability. So, with the advent of a new printer model such as the SC-P900, I considered it essential to produce and evaluate some prints made on Epson Legacy Fibre, and notwithstanding what I just said, I was very pleased with the results. The three-dimensional projection is the two spheres for the two printers. The printer is some 25% smaller than the P800. Long panoramic prints – yes, this is a good reason (what are you going to do with them BTW?). Epson SureColor P900 17-Inch Printer, Black 4.2 out of 5 stars 7. Years ago, when printer drivers were simpler and computers and printers lacked the processing power to quickly apply fancy scaling/resizing/dithering algorithms, you could get improvements in print quality by using resolutions (pixels per inch) that were a multiple or simple divisor of the native resolution of the print head. Thank You. The EPL software only has the auto version. This differs somewhat to the older P800 in that it is powered. I can see it via the window on top. I noted this with the P700 and it really is a useful feature for increasing confidence that you are printing the right image and that it’s coming out OK, [Note that most images here can be viewed at a larger size if you click on them]. I’ve reviewed. Levels L* 4, 5, and 6 are approximately a level darker with CB ON, and the remainder of the red tone curve (measured values) adheres more closely to the target reference values. If you lined it up properly, it will not be skewed so touch OK: After clicking OK, the paper will load. Generally, Printer Manages Color is best reserved for accessing the Advanced Black& White (ABW) feature of the Epson driver to make Black and White Prints, discussed in detail later in this review. [P800 review]. One observation perhaps important to you – there could be very large differences of time required to make a print depending on the selections you make in the Quality Options section of the driver. And what would be the impact with versus without using CB? So much so that I found myself jabbing other printer screens wondering why nothing was happening. There is a new 10 channel print head, which has allowed the addition of a violet ink. This will be much less of an issue for those accustomed to using Epson printers, of no consequence to those who don’t read manuals anyhow, and an inconvenience that can be overcome by self-learning and reading other material, such as reviews like this one. I’m not for a moment suggesting there is a “sea-change” of difference between these renditions, but the more you look at it, the more you will appreciate that CB ON is a bit better. There were no problems with photo papers but I’d want to remove paper from the holder when not in use – I’d definitely not want to leave a full (heavy) roll in the printer overnight. There’s also a bit of differential gloss and some bronzing. The installer is also a way of updating paper settings that may not have been available when you set up the printer. The printers provide an ordinary Epson PreferredSM Restricted Guarantee, a one-year program that features toll-free superior phone entry Monday by means of Friday and normally subsequent business-day on-site service within the unlikely … Is the limit on pano length gone? First, for Media Type in the driver, there is a selection called “Use Printer Settings”, which if selected, means that the driver will cohere with the paper choice in the printer LCD panel (more on the LCD panel below). I was particularly surprised to observe that hue neutrality is better preserved with my standard ICC profile than it would be using ABW. Initially you can ignore these, unless you’re making a big print…, Finally, an error will be thrown up and you have to change ink to proceed. As before, the big divide in terms of printing control is the choice (in the photo application) between Printer Manages Color or Application Manages Color (e.g. Smaller differences between image reference values and their printed values will be less noticeable in real-world printed photos than would be larger differences. The gap between the red and black lines for file values L* 1 to L* 15 occurs because this printing condition’s Maximum Black is at about L*15 as we’ve seen above. Theoretically, one is supposed to notice differences beyond a dE value of 1.0, but very often the differences need to be larger than that to be disturbing when comingled in a print having tens of thousands of colors. This site will be about the community of photography, a place where young and old alike can share their stories, learn about the art and craft of photography, and gain an understanding of what it takes to Enhance Your Vision. I have an image from few years ago that was printed at some 47 feet long for an exhibition. Leave the highest ‘print quality’ settings for marketing purposes and make great looking prints at the mid (or even the lower/faster) settings. So, if you are in the market for a new printer and you were thinking of either an SC-P900 or an SC-P5000 and space were an issue, this gives you an idea of how they compare. There are guide marks for how far to slide the media in. From about Level 8 upward, CB has a very minor impact on relative brightness. Cotton gloves help, but I’m not so sure about using an expensive paper with a delicate surface. (3) Once inside “Manage Custom Sizes” we create a new custom size preset (Figure RF2). Comparing Epson P800 vs Epson P900 vs Epson P5000 . This indicates that the part of the tone scale between Levels 2 and 8 in a printed photo using CB and ABSCOL (not available in Lightroom) would be very slightly darker with just a bit more contrast than its non-CB counterpart. As usual, we can make Driver Presets of any combination of driver settings we wish to preserve for future use (the “Save as New Preset” option in the driver Print Settings). Unless otherwise mentioned, the printing is done in RELCOL with BPC, 16-bit, and High-Speed ON. (As a side note, in case anyone is thinking about a choice between the SC-P900 and SC-P5000: the SC-P5000 is a different class of printer meant for a high-volume production market, viz. ‘SC-P900’ worked though. I can see comparing the bars in figures RF 8 and RF 9 that LGY probably would not have lasted for the whole print (the used amount showing in RF9 exceeds what appeared to be remaining before printing in RF8), whereas GY most likely would have lasted; (nothing lost – after printing, I reinstalled the previous cartridges and when they exhaust, I’ll replace them with the newly started ones.). That’s all there is to it. Increased black density for better gradation, deeper blacks, and less graininess, is achieved through UltraChrome Pro 10 ink, the new […] A question I’m often asked, and like many – it depends. As with many printer settings, if you don’t know what they do – take it as a hint to leave them alone. The tone scale is well reproduced, the color appearance is normal, and the sharpness is fine. Epson SureColor SC-P900 A2+ Printer Review Get your Epson SureColor SC-P900 here UK USA DE FR ES IT Canada Product Page The SC-P900 photo printer has been developed with outstanding print quality as standard. A picture I took whilst testing the new Laowa 15mm shift lens. Of course it’s worse if you want a more elongated image. When you talk about thick artistic paper do you think is feasible to print also on 500gsm hahnemuhle paper? 15-20 years ago I looked at such discussions with interest. The Epson SureColor P900 is a 17-inch wide, 10-color large format photo printer that fits on a desktop. This is recommended for trouble-free reloading the roll next time, so do use it. Maximum Blacks are the same and typical for this paper. You can however make your own copies of installed media and install them on your printer. Entire site and contents © Copyright 2003-21 Keith Cooper |. 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